
Interpretation & Cultural Analysis
Impact
The shawl gifted to Harriet Tubman by Queen Victoria had different impacts on the two women due to their distinct roles in the exchange. For Queen Victoria, the shawl was a way to show appreciation for the work Tubman did as an abolitionist. For Tubman, by receiving the shawl, she was acknowledging the support she had from a powerful figure. Queen Victoria, as a result of having insignificant legislative authority, was incapable of directly impacting decisions concerning slavery. This meant that the only way Victoria could express her abolitionist desires was through her position as Britain’s figurehead. As a result, her power came from her ability to support others in their actions against slavery. With her efforts to free slaves through the Underground Railroad, Harriet Tubman cemented herself as an abolitionist worthy of Victoria’s praise. This admiration caused Victoria to feel a sense of duty to reward or repay Tubman for her actions that saved people from slavery. Thus, Victoria gifted the shawl to Tubman.
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On the other hand, by accepting the shawl, Tubman was acknowledging her support from the Queen of England. Queen Victoria shared Tubman's desire for the abolition of slavery. Additionally, this gift allowed Tubman to further express her individuality. Tubman, and many other African Americans in the United States had been denied this ability. When Tubman would wear the shawl, it was believed that she had the intention of using the positive characteristics associated with white lace (elegance) to dispel negative stereotypes of African Americans. Through the shawl, Tubman was able to illustrate grace and dignity. These behaviors reflect Mauss’ theories on gift exchange. In this interaction, a gift is being given and received. This highlights the social relationship between Tubman and Queen Victoria, which is one of admiration. Queen Victoria benefited from expressing her gratitude, while Tubman benefited from highlighting her elegance and the support she had from powerful figures.
Meaning
The use of white lace for the shawl is significant due to it having meaning in both British and West African culture. For various reasons, both societies would likely have perceived the shawl as a fitting gift for Tubman. However, the shawl was viewed differently due to contrasts in their cultures. In England, lace served as a status symbol due to it being time consuming to produce and expensive to buy. However, lace-makers in England were struggling due to changing fashion trends and a rise in factory-produced lace. It was not until Queen Victoria wore detailed, handmade white lace on her wedding dress during her marriage to Prince Albert in 1840 that the demand for lace was reinvigorated. Queen Victoria’s support for England’s lace industry continued through her decision to wear white lace during royal weddings, christenings, and during her Diamond Jubilee. All these instances of Queen Victoria using white lace further added to the connection between white lace and the ideas of royalty, affluence, and purity.
Although it might not have been Queen Victoria’s intention, West African culture has its own connection to the color white that some believe could have been significant to Tubman. In West African culture, specifically Yoruba, the color white is associated with purity, spiritual clarity, and knowledge, according to former NMAAHC curator Dr. Nancy Bercaw. This is due to its connections with the deities Obatala (who created humans) and Olodumare (the source of knowledge and power). Contrastingly, the English would see it through the lens of their monarchy’s traditions, while Yoruba people would view it through religion. This reflects ideas of ontology. The religion and history of these two cultures would have influenced the ways that they viewed the white, silk shawl. However, despite differences in culture, the shawl likely would have been perceived as a flattering gift to Tubman. When Tubman wore the shawl later in life, it channeled the meanings associated with English and Yoruba cultures, representing her elegance, knowledge, and clarity gained through her life as an abolitionist.
Gift Exchange & Reciprocity
Elaborating further upon the frameworks of gift exchange, the shawl from Queen Victoria to Harriet Tubman can be widely understood as more than a material object. Rather, it is an object where power and social relations converge with one another. This can be interpreted through the theories of Marcel Mauss, Karl Marx, Sydney Mintz, and D.W. Winnicott:
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Marcel Mauss
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Mauss’s theory of gift evidently suggests that gifts are never free; they establish bonds of obligation and reciprocity that persist long after the exchange occurs. In this context, the shawl may potentially have functioned as an attempt to create a symbolic relationship between an imperial monarch (Queen Victoria) and an abolitionist (Harriet Tubman) whose life’s work directly challenged and resisted systems of domination that Victorian Britain had historically upheld.
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Karl Marx
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This is quite interesting when incorporating Marx’s notion of commodity fetishism and how it complicates this further by revealing how the shawl’s physical form masks and reflects the political realities that shaped both women’s worlds, prompting us to investigate how an imperial gift could simultaneously express admiration and obscure structures of racial and economic inequality.
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Sydney Mintz
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Given the global networks of exchange, Mintz’s attention to consumption and this exchange directly demonstrates how objects traveling across borders develop cultural, political, and emotional layers. The shawl’s journey from British court to Tubman’s home exemplifies the uneven yet deeply interconnected flow of goods between empire and formerly enslaved subjects, leading many to ponder how meaning transforms across such distances.
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D.W. Winnicott
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Similar to Winnicott’s concept of transitional objects, this adds another dimension, suggesting the shawl may have offered Tubman a form of symbolic grounding through an object she could reflect on and negotiate her identity, memory, or most importantly, belonging in a world that denied her stability.
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With regards to reciprocity, Harriet Tubman’s response to Queen Victoria’s gift is especially striking because it appears she did not engage in the kind of reciprocity that Marcel Mauss identifies as central to gift exchange. As it stands, there is no evidence that Tubman sent a return gift, formal acknowledgment, or symbolic gesture that carried equal weight, raising various questions as to why she refrained from participating in this cycle of obligation. One possibility that lingers is that Tubman, who spent much of her life fighting for justice and equality, may not have viewed the shawl within the same framework of social exchange that governed Victorian gift-giving. Tubman’s commitments to caregiving and grassroots activism did not align with the expectations of elite diplomatic reciprocity. Additionally, Tubman may have recognized the imbalance in the exchange: a formerly enslaved Black woman receiving a gift from the queen of a monarchy, tied to global systems of domination. In this case, by choosing not to reciprocate, she may have very well resisted entering into a symbiotic relationship that could imply indebtedness or alignment with an imperial power.
Barriers of distance and resources may have also made reciprocity difficult or impractical. Overall, Tubman’s silence during the time becomes extremely meaningful, as it displays a powerful assertion of autonomy in the face of a gesture that may have potentially carried implicit expectations she neither sought nor accepted.
